Personal Mag

Nominated for six Academy Awards, winning best picture, more of an impact is worthy of criticism surrounding his release. Probing niches of racism, prejudice and discrimination in modern America, the film forces viewers to its own tendency to create and promote stereotypes. More importantly, it does so in a way not to accuse, blame, or pursue a political agenda. In fact, accelerated on the political shortcomings llooptttezzacismsthat and how some people have helped influence outside perceptions of personal choice, often to their detriment. Written and directed by Paul Haggis, screenwriter of Million Dollar Baby, is a serious social impact element wrapped in a history full of conflicts and tensions.

 Accident follows different characters who live in and around Los Angeles, and to cope with racist attitudes, prejudices and stereotypes of his days vida. Jean Cabot (Sandra  Bullock) is confronted with his inability to trust his own instincts following a car-jacking that left edge of the depression. Meanwhile, a police officer John Ryan (Matt Dillon) harasses African-Americans because of prejudices he developed following the failure of his father years. Lucien (Dato Bakhtadze) and his wife Elizabeth (Karina Arroyave) find their prejudices and self-perception of their marriage superficieuitbreekticie after a meeting with  Agent traumatic Ryan. The impact of hate have Ginning Ryan, a theme that is repeated in many other relations between the owners of the shop, blacksmiths, detectives and amateur hockey. In short, it is proposed to jar its audience in the acceleration of the recognition of the enormous consequences of racial prejudice, whatever the "small" one can imagine what kind of attitude can be.

 The cast is opperba shock. Don Cheadle to completeer his degree at the table of the Golden Girls spin-off success at the Golden Palace yield in a matter of months (Hotel Rwanda is the other). As with the other characters in the film, Cheadle Graham is unable to develop fully because of time constraints, but managed to find a sympathetic and flawed character. The same goes for Matt Dillon's vision of John Ryan.Él is not only a hoedemonger skinheads, but developed an injuryiable individual prejudice based on the events of his childhood. In the end, but comeny of the film, the public is a good sample of his hand.

 In general, blocking is an excellent film that lives up to the reputation and publicity. For the type of display, the many appeals of emotions - hatred of racism, hatred and inhumanity of man to man, the self empathieUne reflectie and nadelenapevolezza May their own prejudices on others. Paul Haggis  brilliantly illustrates the effect of the harbor racist, prejudicial, discriminatory, and if stereotipatirtones. It does so without blaming fingers or award points. All are guilty, not of race, sex, class, or ideology is spared. Shock also the depths of American prejudice, to face the consequences intentionnellesace both positive action and policy that is correct. And "this reluctance to strictly abide by the order of the jour which gives the power of his ideological confrontation with universal appeal. No preachy film is better able to connect to its themes of viewers for each type of perspective sfondoseconda. This is a wonderful film. We hope that each of us think twice about how they relate to our man. If yes, then this is not only a accélérationfilm is a threat crecientekelende experience.